Michel Pilz/Peter Kowald/Paul Lovens - Carpathes

Michel Pilz/Peter Kowald/Paul Lovens
Carpathes
FMP 1978 (LP)

Michel Pilz/Peter Kowald/Paul Lovens - Carpathes

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Visionfest (Various Artists) - Visionlive (RePost)

Visionfest : Visionlive
Various Artists
Thirsty Ear Recordings 2003

Visionfest (Various Artists) - Visionlive  (RePost)

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Visionfest (Various Artists) - Visionlive

Visionfest : Visionlive
Various Artists
Thirsty Ear Recordings 2003

Visionfest (Various Artists) - Visionlive

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Tristan Honsinger, Toshinori Kondo, Peter Kowald, Sabu Toyozumi - What Are You Talking About?

Tristan Honsinger, Toshinori Kondo, Peter Kowald, Sabu Toyozumi
What Are You Talking About?
DIW Records 2002

Originally issued on LP as
IMA 003/DIW 1119 (LP) 1983

Tristan Honsinger, Toshinori Kondo, Peter Kowald, Sabu Toyozumi - What Are You Talking About?

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Alexander von Schlippenbach - Globe Unity (1967)

Alexander von Schlippenbach - Globe Unity (1967)

Performer: Alexander von Schlippenbach
Album: Globe Unity
Year: 1967 / 1970
Country: Germany
Label: SABA / MPS Records
Catalog #: SB 15109 / MPS 15016
Genre: improvisation / free jazz / big-band
Quality: mp3, VBR ~197, joint stereo (vinyl rip)
Size: 65 mb

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Peter Kowald - Silence and flies

Peter Kowald
Silence and flies
live at Nigglmühle
Free elephant 2001

Peter Kowald -  Silence and flies

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Tsahar / Ragin / Kowald / Drake - OPEN SYSTEMS

Tsahar / Ragin / Kowald / Drake
OPEN SYSTEMS
Marge Records 2001

Tsahar / Ragin / Kowald / Drake - OPEN SYSTEMS

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Globe Unity Orchestra & the Choir of the NDR - Hamburg '74

Globe Unity Orchestra & the Choir of the NDR-Broadcast
Hamburg '74
Atavistic 2004

Globe Unity Orchestra & the Choir of the NDR - Hamburg '74

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Marco Eneidi/ Peter Kowald/ Damon Smith/ Spirit - Ghetto Calypso

Marco Eneidi/ Peter Kowald/ Damon Smith/ Spirit
Ghetto calypso
NotTwo 2006

Marco Eneidi/ Peter Kowald/ Damon Smith/ Spirit - Ghetto Calypso

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Sainkho Namtchylak - AURA

Sainkho Namtchylak
A U R A
PONDerosa Records 2004

Sainkho Namtchylak - AURA

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Peter Brotzmann Octet: "MACHINE GUN"

Peter Brötzmann Octet
"MACHINE GUN"
Atavistic Records 1968

“It’s hard to say whether Machine Gun makes one want to take to the streets, but it does inspire a yell--and more than a few grins.”

Peter Brotzmann Octet: "MACHINE GUN"

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All titles featuring Peter Kowald - CIMPhonia 1998, Part 1

"CIMPhonia 1998, Part 1"
Joe McPhee — Mark Whitecage — Paul Smoker — David Prentice
Dominic Duval — Peter Kowald — Jay Rosen
CIMP 1998

 All titles featuring Peter Kowald - CIMPhonia 1998, Part 1

All titles featuring Peter Kowald !

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All titles featuring Peter Kowald - CIMPhonia 1998, Part 2

"CIMPhonia 1998, Part 2"
Joe McPhee — Mark Whitecage — Paul Smoker — David Prentice
Dominic Duval — Peter Kowald — Jay Rosen
CIMP 1999

All titles featuring Peter Kowald - CIMPhonia 1998, Part 2

All titles featuring Peter Kowald !

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PETER KOWALD,BARRE PHILLIPS,BARRY GUY,MAARTEN ALTENA "BASS DUETS"

PETER KOWALD
&
BARRE PHILLIPS,BARRY GUY,MAARTEN ALTENA
"BASS DUETS"
FMP 1999

PETER KOWALD,BARRE PHILLIPS,BARRY GUY,MAARTEN ALTENA "BASS DUETS"

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BROTZMANN, PARKER, DRAKE - " NEVER TOO LATE..."

never too late but always too early
(dedicated to peter kowald)
Eremite Records 2003

BROTZMANN, PARKER, DRAKE - " NEVER TOO LATE..."

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Carlos Bechegas & Peter Kowald

Carlos Bechegas
Peter Kowald
Open Secrets
A Suite in 13 Parts

FORWARD Records 2001

Carlos Bechegas & Peter Kowald

On his 1998 solo CD Flute Landscapes, Carlos Bechegas was applying extended techniques developed by free improvisers like Evan Parker, Derek Bailey, and bassist Peter Kowald. In the case of the last artist, it led to a fruitful relationship, as Open Secrets testifies. Recorded in a Portuguese studio in October 1999, this CD demonstrates how like minded the two musicians are. Their level of communication is exemplary. Bechegas integrates his voice in his flute playing, something that has become a trademark for Kowald, especially when using the bow. Therefore some of these duets sound like quartets; "Part 10," featuring the bassist's scary basso profondo, is simply stunning. At the beginning of "Part 7," it is the bassist who mimics the flutist, playing the high register. The 13 free improvisations are kept short (nothing over eight minutes), dense, and electrified. In "Part 3," Bechegas' flute jumps all around, unstoppable, while Kowald tries to keep up, obviously amused. The flute's flutter-like exuberance completes the bassist's more introverted playing to a surprising extent — they were born to play together. Some free improv records are inhabited by a magical atmosphere. Open Secrets is one of them. All the promises found in Flute Landscapes have been kept. This is the first release on Bechegas' imprint Forward, and his first recording with a renowned improvisor. Strongly recommended. — by François Couture

Carlos Bechegas (flutes)
Peter Kowald (double bass)

Tracks

1 Pt. 1 3:23
2 Pt. 2 1:48
3 Pt. 3 3:50
4 Pt. 4 6:54
5 Pt. 5 5:02
6 Pt. 6 4:47
7 Pt. 7 4:53
8 Pt. 8 5:07
9 Pt. 9 5:24
10 Pt. 10 4:54
11 Pt. 11 4:34
12 Pt. 12 5:21
13 Pt. 13 7:53

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GEBBIA, KOWALD, SOMMER - "Cappuccini Klang"

GEBBIA
KOWALD
SOMMER
Cappuccini Klang
SPLASC(H) Records 1992

GEBBIA, KOWALD, SOMMER - "Cappuccini Klang"

…this is a classic in improvised music played by expert musicians who have created a new music which is not constrained by the jazz and folk forms which they have used in this creation. this is pretty free stuff, but you will still tap your foot and rock in your chair at times, just not the whole time. in case you are interested in hearing what those crazy europeans have done to keep "jazz" from becoming a big yawn, here is a good place to start.—amazon.com

Italian woodwind specialist Gianni Gebbia receives excellent support from bassist Peter Kowald and drummer Gunther "baby" Sommer on this 1992 release, which finds the musicians deriving inspiration from the catacombs of Palermo and Sicily. With this effort, the trio performs 20 pieces that average three minutes in length. Here, Gianni Gebbia utilizes his arsenal of saxophones for a series of works that are constructed upon diminutive motifs and free jazz style interplay, supplemented by acoustic bassist Peter Kowald's densely wooden tone, booming lines, and Gunther Sommer's multipurpose, polyrhythmic attack. Throughout this curiously absorbing endeavor, the trio produces interweaving patterns, stimulating free bop-style swing vamps, fragmented themes, and sinewy undercurrents. On the composition titled "Meeting at the Vucciria," Gebbia overdubs multiple saxophone parts amid furious and rapidly executed soloing. All in all, the saxophonist displays an exemplary or perhaps enviable technique, brimming with orbicular movements, nuance, and an altogether authoritative presence. However, the trio's brisk pace and acute implementations of complex time signatures and assertive improvisational-type dialogue provides the winning formula! ~ Glenn Astarita, All Music Guide

Gianni Gebbia, alto, soprano, Eb sopranino saxophones, clarinet;
Peter Kowald, contrabass;
Günther 'Baby' Sommer, drums.

Tracks
Cappuccini Suite:
1. Cappuccini Klang 3:34
2 .Calipso Facto 4:11
3 .Ex Voto 3:39
4 .Cappuccini Stimmen 2:07
5 .Meeting at the Vucciria 3:07
6 .Nachtmusik 3:05
7 .Barocco/Funereo 2:03

Sotto Voce:
8. Sotto Voce I 1:39
9. Oltre 2:40
10. Sotto Voce II 1:35
11 .Palilalia 2:03
12 .Sotto Voce III 1:33
13 .Spaghetti Man 1:55
14 .Sun and Noise 5:19
15 .Mafia Swing Sarabande 6:07
16 .Dis Age 2:50
17 .Appena Nato 4:31
18 .Aràbbo [Duo] 4:29
19 .Palermo/Capetown 2:13
20 .Capetown/Palermo

rapidshare.com/files/237697...

Assif Tsahar, Peter Kowald, Sunny Murray - "MA"

Assif Tsahar Peter Kowald Sunny Murray
MA
live at the Fundacio Juan Miro
Hopscotch Records 2002

Assif Tsahar, Peter Kowald, Sunny Murray - "MA"

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Peter Kowald, William Parker - "The Victoriaville Tape"

Peter Kowald William Parker
The Victoriaville Tape
VICTO 2003

Peter Kowald, William Parker - "The Victoriaville Tape"

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Peter Brotzmann

Peter Brotzmann
For Adolphe Sax
Atavistic Records 2002

Peter Brotzmann

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