"...The Truth Is A Fucking Lie..."
Я смотрю, эти чикагские джаз-нойз-панк-коровые отморозки пользуются определенным спросом. К сожалению, по заявлению лидера группы Уизела Уолтера их миссия завершена, человечество пока не готово к армагеддону...
Ну, а у нас пока еще есть, что послушать из их великого апокалиптического наследия (у меня кстати, почти вся их дискография в mp3 имеется, если надо — спрашиваем).
Чудесный жесткий и панк-нойзовый седьмой альбом группы.
Пишут
This is the seventh album by the Flying Luttenbachers, a variously membered Chicago group led by Weasel Walter. Water started out in various punk bands in the city, but in the early 90s was struck by the improvising of little known Chicago master avant-gardist, Hal Russell. The first FL album featured Russell, but he left for other projects before his untimely death in 1994. Then for a while the Luttenbachers included Ken Vandermark, though contrary to popular opinion in other reviews, Vandermark only plays on two albums...Constructive Destruction and Destroy All Music. Since this time, Weasel Walter and his various bands have drifted from the punky free jazz of the earlier albums to more of a thrash/punk/jazz. Think John Zorn without the post-modern quotations.
The album in question is quite good in it's noisy, punked-out way. It's definately an album in transistion. Many of the cuts feature ace free-jazz cellist Fred Lonberg-Holm on electric cello. Others feature a more definate rock element with the brilliant Chuch Falzone on guitar. Most of these cuts were recorded and then subject to Weasel Walters manipulations. Walter plays a large number of instruments, thrashing drums, wild trumpet and several tracks of moody analog electronics. This is noise music at it's most loud and aggressive, so if that doesn't float your boat, you won't like the later Luttenbacher's music. But if you grew up on Mission of Burma, X, Black Flag, or if you love the music of John Zorn, or Last Exit, this is an album worth checking out. ...
Christopher Forbes "weirdears"
Дискография
Live At WNUR 2-6-92 cassette (ugEXPLODE Records) 1992. Out of print/CD (Coat-tail/ugEXPLODE) 1996.
546 Seconds of Noise 7" ep (Quinnah/ugEXPLODE) 1992. Out of print.
1389 Seconds of Noise 7" ep (Quinnah/ugEXPLODE) 1993. Out of print.
Constructive Destruction LP (Quinnah/ugEXPLODE) 1994. out of print/CD 1996.
Destroy All Music LP (ugEXPLODE) 1995.
Revenge of the Flying Luttenbachers LP/CD (Skin Graft/ugEXPLODE) 1996.
Live at the Middle East Cafe cassette (Bourgeois Chimp) 1996. rec. 8/30/94.
Gods of Chaos CD (ugEXPLODE/Skin Graft) 1997/remastered version 2004.
Retrospektiw III CD (ugEXPLODE/Quinnah) 1998.
"...The Truth Is A Fucking Lie..." LP/CD (ugEXPLODE/SKiN GRAFT) 1999.
Alptraum CD (ugEXPLODE/Pandemonium) 2000.
Trauma 2LP (ugEXPLODE) 2001.
Infection and Decline CD/LP (ugEXPLODE/Troubleman Unlimited) 2002.
Retrospektiw IV CD (ugEXPLODE/Mountain Collective) 2002.
Systems Emerge From Complete Disorder CD/LP (ugEXPLODE/Troubleman Unlimited) 2003.
The Void CD/LP (ugEXPLODE/Troubleman Unlimited) 2004.
Spectral Warrior Mythos Volume One CD EP (ugEXPLODE) 2005.
Cataclysm CD (ugEXPLODE) 2006.
Incarcerated By Abstraction CD (ugEXPLODE) 2007.
Диск
Track listing:
1. De Futura (Janik Top) (6:19)
2. "...The Truth Is a Fucking Lie..." (11:03)
3. Black Perversion (Havohej/arr.+ by Walter) (5:49)
4. P.A.L.S., Nipple-clamped (2:44)
5. Medley (8:25)
6. If I'm Going to Become a "Seminal Artist", I'd Better Suck Up to the Critics A Little Better/ The Big Finale (5:18)
Line-up:
Weasel Walter: construction, drums, trumpets, mellotron, electronics
Michael Colligan: reeds, etc. on 2, 4, 6
Chuck Falzone: guitar on 2, 3, 5, 6
William Pisarri: bass guitar on 5, 6. shriek on 3, clarinet on 6
Fred Lonberg-Holm: cello on 1, 2, 4, 6
Dylan Posa: keyboards on 2, 4, 6. conduction on 2, 4
Julie Pomerleau: violin on 2, 4, 6
Kurt Johnson: bass guitar on 1, 2, 4, 6
Nandor Nevai: intro and outro
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