Stan Getz and Charlie Byrd - Jazz Samba (1962) {2008 Release}

Жанр: Brazilian Jazz
Дата записи: Pierce Hall All Souls Unitarian Curch Washington, D.C., February 13, 1962
Дата выпуска оригинала: 1963 MGM Records Inc.
Дата выпуска переиздания: 2008
Производитель диска, номер, страна: © The Verve Music Group 0602517679184, EU

Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 35:37
Источник: Моя коллекция
Риппер: Мой рип

Трэклист:
1. Desafinado (Jobim ) — 5:51
2. Samba Dees Days (Byrd ) — 3:34
3. O Pato (Silver, Teixeira ) — 2:31
4. Samba Triste (Blance, Powell ) — 4:47
5. Samba de uma Nota So (Jobim, Mendonca ) — 6:11
6. E Luxo So (Barraso, Peixoto ) — 3:40
7. Baia (Barroso ) — 6:38

Состав:
Bass — Gene Byrd , Keter Betts
Drums — Bill Reichenbach , Buddy Deppenschmidt
Guitar — Charlie Byrd , Gene Byrd
Saxophone [Tenor] — Stan Getz

Рейтинг:
1963 The Billboard 200 # 1
1984 Jazz Samba Top Jazz Albums #22

Издания:
(LP, [33 rpm], [Gatefold], [Mono]) Verve Records V-8432 US 1962
[Transparent Orange Vinyl] [KOR] 1962
(LP, Mon) Verve Records VLP 9013 UK 1962
(Reel, Mono, 2 T) Verve Records TA-VLP 9013 UK 1962
(LP) Verve Records V6-8432 France 1963
(LP) Verve Records 2352 080 Netherlands 1963
(LP) Verve Records V6-8432 Canada 1963
(LP) Verve Records V6-8432 US 1963
(LP, Album, Gat) Polydor K.K, Verve Records MV 2089 Japan 1963
(LP, RE, Gat) Verve Records SMAS-90628 US 1966
(CD) [Alternate Cover] CTI PDCTI 1104-2 Germany 1993
(CD) [Gold Disc] DCC GZS-1069 1994
(CD, Album, Reissue, Dig, [Verve Master Edition]) Verve Records 314 521 413-2 US 1997
(CD) [Bonus Tracks], [Digipak] Verve EU 0602517036932 2006
(CD)Universal Music Brasil 2007
(CD, Album) Verve Records 810 061-2 Europe
(LP, Reissue) Verve Records 810 061-1 Europe

Steve Huey (AMG)
Partly because of its Brazilian collaborators and partly because of "The Girl From Ipanema," Getz/Gilberto is nearly always acknowledged as the Stan Getz bossa nova LP. But Jazz Samba is just as crucial and groundbreaking; after all, it came first, and in fact was the first full-fledged bossa nova album ever recorded by American jazz musicians. And it was just as commercially successful, topping the LP charts and producing its own pop chart hit single in "Desafinado." It was the true beginning of the bossa nova craze, and introduced several standards of the genre (including Ary Barroso's "Bahia" and Antonio Carlos Jobim's "Desafinado" and "Samba de Uma Nota Só" [aka "One Note Samba"]). But above all, Jazz Samba stands on its own artistic merit as a shimmering, graceful collection that's as subtly advanced — in harmony and rhythm — as it is beautiful. Getz and his co-billed partner, guitarist Charlie Byrd — who was actually responsible for bringing bossa nova records to the U.S. and introducing Getz to the style — have the perfect touch for bossa nova's delicate, airy texture. For his part, Byrd was one of the first American musicians to master bossa nova's difficult, bubbling syncopations, and his solos are light and lilting. Meanwhile, Getz's playing is superb, simultaneously offering a warm, full tone and a cool control of dynamics; plus, Byrd's gently off-kilter harmonies seem to stimulate Getz's melodic inventiveness even more than usual. But beyond technique, Getz intuitively understands the romanticism and the undercurrent of melancholy inherent in the music, and that's what really made Jazz Samba such a revelatory classic. Absolutely essential for any jazz collection.